TOURISM IN EGYPT: January 2011

Wednesday 26 January 2011

Thursday 20 January 2011

The Museum of Islamic Art is considered one of the greatest in the world with its exceptional collection of rare woodwork and plaster, as well as metal, ceramic, glass, crystal, and textile objects of all periods, from all over the Islamic world. It houses more than 102,000 objects. The Museum carries out archaeological excavations in the Fustat Area and has organized a number of National and International Exhibitions. It has been closed for renovations since 2003, but is set to re-open on September 1st, 2010.

Although recognition of Pharonic art was signaled in Cairo by the establishment in 1858 of the Department of Antiquities and the Egyptian Museum, the appreciation of Arab and Islamic Art lagged behind. The Khedive Ismail approved a proposal to establish a Museum of Arab Art in the Courtyard of the Mosque of Baibars, but this was not carried out until 1880 when Khedive Tawfiq ordered the Ministry of Endowments (Awqaf) to set it up.

Julius Franz, an Austrian Scholar of Hungarian Descent, the Head of the Technical department at the Awqaf, proposed in 1881 that the ruined Mosque of the Fatimid Caliph al-Hakim, adjacent to the Bab Al-Futuh, to be a provesional seat for the Museum. A Gallery was accordingly furnished there in the eastern arcade, consisting initially of 111 architectural pieces taken from other Monuments.

Matters improved the same year when Khedive Tawfiq approved the "Committee of Arab Antiquities", whose duties included running the Arab Museum, and providing it with objects as well as preserving the monuments. As a result, the arcades of the mosque were filled to overflowing. in 1884 a two story structure was built in the courtyard to house the collection of 900 objects, although its staff consisted of only one curator and a door keeper.

in 1887 Max Hertz, also Austro-Hungarian, replaced Julius Franz, and began making many changes, he suggested the name of the Museum back then as the gallery of Arab Antiquities (Dar Al-Athar Al-Arabiya), by 1895 the collection numbered to 1,641, and the new building became too crowded, he requested the Awqaf to build a larger Museum, and so in 1899 the Foundations of the present larger Building in Bab Al-Khalq.

The new and current Building was designed by Alfonso Manescalo, and was completed in 1902 in neo-Mamluk style, with its upper story housing the National Library. The old Museum in al Hakim was demolished in the 1970s during refurbishment of the Mosque.

The Museum entirely faces Historic Cairo. It has two entrances; one on the north-eastern side and the other the south-eastern side. A beautiful garden with a fountain once led to the first entrance but was later removed. The entrance on Port Said Street features a very luxurious facade, rich with decorations and recesses inspired by Islamic architecture in Egypt from various periods. The Museum is a two-story building; the first floor comprises the exhibition halls and the second floor comprises the general stores. The basement contains a store connected with the Restoration Section.

Wednesday 19 January 2011

Al Manyal Palace Museum

The museum was set up by Prince " Mohammad Ali Tawfiq " in 1899 in the middle of a thirty - feddan garden. The garden has a group of rare trees which the Prince had brought from various parts of the world. The palace's architecture, interior decorations and furniture are all modeled on the Arabesque style. The museum's collection is the most complete representative set of the " Ottoman " art. In addition, the museum contains early Islamic manuscripts and rare collections of embroidered textiles, carpets, crystal vessels and candelabra.

The Palace was built to commemorate and eternalize Islamic Art. It is considered amongst the most important and historic museums since it represents a crucial period in modern Egyptian history and portrays in detail the life of the Royal Family.

The architectural designs distinguish it from other museums because of its Modern Islamic art carrying the essence of Moroccan, Persian and Syrian styles.

The Palace is situated in the east of the River Nile along the island of Manial El-Roda. It covers an area of 61711 square meters, as buildings occupy 5000 square meters, 34,000 square meters for gardens and 22711 square meters for inner roads and garden constructions.

The Saa (clock) Tower

The Palace is divided into 11 sections; the gate which was built in the style of middle age castles gates, has terraces for guards.

The palace facade resembles that of Iranian Mosques and Schools of the 14th C. The reception palace was designed for receiving official guests and is of two stories. The first story has two rooms, the ceremony room and the reception one for those who offer Friday prayers with the Prince, the second story has two halls; the Moroccan and Syrian halls.

The Saa (clock) Tower lies between the Reception Palace and the Mosque, which Prince Mohamed Ali built after the Andalosian and Moroccan fashions.

The fountain lies between the tower and the great Mosque, the Mosque despite its small size is considered an unmatchable architectural and ornamental antique.

The Hunting Museum is a long hall annexed to the east gate overlooking the garden. It displays possessions of King Farouk and Prince Youssef Kamal who loved hunting. This Museum was finished long after the death of the Prince and was opened to the public in 1962.

The two-story residence is the oldest building in the palace and has a tower overlooking sights of Cairo and Giza. The first story consists of al-Shakma, the mirror lobby, harem room, blue saloon, dining room, arabesque saloon and the fireplace room. The second story consists of the jewelry room, arabesque room, Princes bedroom, maid’s room and a balcony overlooking the mirror hall. The Throne palace was designed after the Ottoman style in the form of a "Kosha".

Tuesday 18 January 2011

El Alamein town

El Alamein is a town in northern Egypt on the Mediterranean Sea coast in Matruh Governorate. It is 106 kilometres (66 mi) west of Alexandria and 240 kilometres (149 mi) northwest of Cairo. The population was about 7,397 in 2007.

With typical Mediterranean climate, El Alamein is blessed with pleasant weather all year long, with cold winters and warm-to-hot summers. Alamein is also known for its outstanding unpolluted environment, air, and beaches.

El Alamein has a war museum with collectibles from "the civil war" and other North African battles. Visitors can also go to the Italian and German Military Cemetery on Tel el-Eisa Hill just outside the town. The German cemetery is an ossuary with the remains of 4,200 German soldiers, built in the style of a medieval fortress. The Italian cemetery is a mausoleum containing many galleries of tombs. Many tombs bear the soldier's name.

Battle of El Alamein

There is also a Commonwealth war cemetery with graves of soldiers from various countries who fought on the British side. This has monuments commemorating Greek, New Zealand, Australia, South African and Indian forces. Note that the remains of United States soldiers were not buried here. The Commonwealth cemetery, as is common at many such cemeteries in the world, consists of parallel rows of gravestones, each one bearing an engraving of the deceased soldier's unit emblem, his name and an epitaph from his family.

Two important World War II battles were fought in the area. At the First Battle of El Alamein (July 1 – July 27, 1942) the advance of Axis troops on Alexandria was blunted by the Allies, when the German Panzers tried to outflank the allied position. At the Second Battle of El Alamein (October 23 – November 4, 1942) Allied forces broke the Axis line and forced them all the way back to Tunisia. Winston Churchill said of this victory: "Now this is not the end. It is not even the beginning of the end, but it is, perhaps, the end of the beginning." After the war, he wrote: "Before Alamein we never had a victory. After Alamein, we never had a defeat."

Abdeen Palace

Construction started in 1863 and continued for 10 years but the palace was officially inaugurated in 1874. Erected on an area of 24 feddans, the palace was constructed by the French architect Rousseau along with a large number of Egyptian, Italian, French and Turkish decorators. However, the palace’s garden was added in 1921 by Sultan Fuad I on an area of 20 feddans. The cost of building the palace reached 700,000 Egyptian pounds in addition to 2 million pounds for its furnishing. More money was also spent on the palace’s alteration, preservation and maintenance by consecutive rulers. The palace includes 500 rooms.

The palace was originally built on land belonging to an Ottoman Turkish nobleman named Abdeen Bey. The palace became the centre of the royal court, rather than the Citadel of Cairo (which had been the centre of Egyptian government since the Middle Ages) during the reign of King Fuad.

The palace, located in the Old Cairo district of Abdeen is today a museum. The upper floors, (the former living quarters of the royal family), are reserved for visiting foreign dignitaries. The lower floors contain the Silver Museum, the Arms Museum, the Royal Family Museum, and the Presidential Gifts Museum. A new museum, the Historical Documents Museum was opened in January 2005. Among other documents, it contains the Imperial Ottoman firman, or decree, which established the rule of Muhammad Ali and his family, and a certificate for the Order of the Iron Crown, from the short-lived South American Kingdom of Araucania and Patagonia. Abdeen Palace is the official residence and principal workplace of the President of Egypt.

Abdeen Palace is considered one of the most sumptuous palaces in the world in terms of its adornments, paintings, and large number of clocks scattered in the parlors and wings, most of which are decorated with pure gold. Built by Khedive Ismail, to become the official government headquarters instead of the Citadel of Cairo, this palace was used as well for official events and ceremonies. Abdin Palace was so called as it was built on the debris of a house owned by the Turkish Prince Abdin Bey.

Monday 17 January 2011

The Kings (Pharaohs) of Ancient Egypt

The title of "Pharaoh" actually comes to us from the Greek language and its use in the Old Testament. It originates in the Egyptian Per-aa, meaning "Great House", a designation of the palace, which first came to be used as a label for the king around 1450 BC, though it only became common usage some centuries later. For most of the time, the usual word for the king of ancient Egypt was nesu, but a whole range of titles were applicable to any full statement of a king's names and titulary.

According to Egyptian legend, the first kings of Egypt were later some of Egypt's most famous gods. We really do not know whether some of these individuals actually existed in human form or what regions of Egypt they may have ruled over. Only at the end of the Predynastic period, prior to the unification of Egypt, can we recognize specific kings who most likely ruled over either northern or southern Egypt. According to many sources, the first real king of Egypt, therefore ruling over the unified land, was Menes, who would have ruled Egypt around 3100 BC, but we have little if any archaeological basis for this name. Most scholars today believe that he may have been a king named Narmer, or more likely still, Aha, two figures that are better attested in the archaeological record.

However, Menes might have also been a legendary composition of several rulers. After these first rulers of a unified Egypt, the Egyptian monarchy lasted in a recognizable form for over three thousand years, basically ending with Cleopatra, though even Roman emperors attempted to style themselves as Egyptian pharaohs. We know of 170 or more specific pharaohs during this period of time. Although many changes occurred during that time, almost all of the fundamentals remained the same.

Kings were not only males, and unlike in modern monarchies, the ruler of ancient Egypt, whether male or female, was always called a king. In fact, Egypt had some very noteworthy female rulers such as Hatshepsut and others.

In ancient (Pharaonic) Egypt, the pinnacle of Egyptian society, and indeed of religion, was the king. Below him were the layers of the educated bureaucracy which consisted of nobles, priests and civil servants, and under them were the great mass of common people, usually living very poor, agricultural based lives. Except during the earliest of themes, when the highest official was apparently a Chancellor, for most of Egyptian history, the man or men just under the king were Viziers, (tjaty), a position that was roughly similar to a modern Prime Minister.

In many if not most accounts, the king is viewed as an incarnation of Horus, a falcon god, and the posthumous son of Osiris, who himself was a divine king slain by his brother, Seth. Horus fought his uncle for the return of the throne, and part of the accession process of the king was the proper burial of his predecessor, as Horus carrying out the last rites of Osiris. In fact, there are a number of cases where such an act may have been the legal basis for a non-royal figure's ascent of the throne. However, more usual was the succession of the eldest son, whose status as heir was frequently, if not always, proclaimed during his father's lifetime. Furthermore, there were a number of instances where this was taken a step further by the heir's coronation as a co-regent prior to the father's death. This has actually led to much confusion among scholars, because in some cases, the young heir began to count his regnal years only after the death of his father, while in other instances, he started to do so from the moment of his coronation. The ancient Egyptians did not use era dating as we do today (BC or AD), but rather relied on regnal dating of the king's rule, and therefore potential difficulties for modern, if not ancient, historians can easily be imagined.

The king himself (or herself) was the figure upon whom the whole administrative structure of the state rested. These god-kings usually commanded tremendous resources. The Pharaoh was the head of the civil administration, the supreme warlord and the chief priest of every god in the kingdom. All offerings were made in his name and the entire priesthood acted in his stead. In fact, he was himself a divine being, considered the physical offspring of a god. The myth of the ruler's divine birth centered on the god assuming the form of (or becoming incarnate in) the king's father, who then impregnated his wife, who accordingly bore the divine ruler.

Of course, the king was also subject to some rather grave responsibilities. Through his dealings with the gods, he was tasked with keeping the order, or ma'at of the land, and therefore keeping out chaos, often in the form of the enemies of Egypt from foreign lands. But he was also responsible for making sufficient offerings and otherwise satisfying the gods so that they would bless Egypt with a bountiful Nile flood, and therefore a good enough harvest to feed his people. When he failed at these tasks, he could bear not only blame, but a weakening of the state and thus his power. In drastic cases, such as at the end of the Old Kingdom, this could actually lead to a complete collapse of the Egyptian state.

Even today, many questions remain about the kings of ancient Egypt. We have a fairly good idea of their order through time, though often scholars disagree about specific dates related to our current form of the calendar. Our evidence of their order comes mostly from various "kings' lists, that almost exclusively were made during the New Kingdom. Another source is the Egyptian history written by Manetho, an Egyptian priest, but over the years, there have been modifications to both the kings' lists and Manetho's history made through archaeological discovery. Nevertheless, there are periods of Egyptian history, particularly those known as intermediate periods, where very little information exits on who ruled (usually only a part of) Egypt.

Basically, Manetho divided up ancient Egyptian history into thirty dynasties, though this division is a bit difficult, and modern scholarship has proven it to be not completely (and sometimes not at all) accurate. Most of the time, a dynasty consisted of a related family of rulers, though sometimes dynasties seem to have been broken up due to the establishment of a new capital. In a number of instances, modern Egyptologists believe that he may have been incorrect about the end of a family line.

Even today, the power that an ancient Egyptian pharaoh commanded in ancient Egypt and the resources under his control can seem staggering. One need only think in terms of the Great Pyramids, the wealth of gold and the grand temples to gain some understanding of their power. They commanded resources that many modern day states would be hard pressed to emulate, and they did so at a time when much of the remainder of the ancient world were struggling for a foothold in history.

Saturday 15 January 2011

The Baron Palace

A legendary palace of mysterious reflections and architectural elements that stir the most dormant of imaginations, The Baron Palace stands today in the modern district of Cairo, Heliopolis; silently echoing the magical period of the Baron. The Palace is a true enchantment which continues to be a rare reminder of a significant era of grandiose proportions, leisurely celebrations, exotic decorations and grand balls of royal presence.

Built in the early 20th century (between 1907 and 1910), the palace occupied a large expanse of land in the midst of the new city of leisure and luxury, Heliopolis. A district that was on the brink of creation, an ambitious project of converting the desert into a region with wide open areas of residential masterpieces, spacious roads, facilities and amenities to suit the royal elite.

The owner of the Baron Palace was the Belgian-born industrialist, Baron-General Edouard Louis Joseph Empain (1852-1929), who was known for his extravagant nature and passionate character. Sources state that while in Egypt on business, he had an affair with the Egyptian desert, sparking his desire for Heliopolis, and later fell in love with a beautiful Cairene socialite, Yvette Boghdadli. Together, they initiated the new city of Heliopolis, building every possible facility that could be needed by the elite, including a racetrack, a golf course and the like, in addition to constructing fine residential housing to suit the preferences of a distinct social class, whilst not forgetting to include more mediocre public housing.

Édouard Empain

The city was built in a unified building style, except for the palace and home of Empain, for which he chose to build in a Hindu style of prestigious aesthetics. Alexander Marcel, a French architect was assigned this task and challenge, and attempted to create an authentic realization of the vision that Empain had in mind. To this end, Marcel employed skilled Indonesian artists and sculptors, who labored in the creation of a masterpiece of architectural excellence with pure Hindu influences.

The construction of the exterior and interior of the palace was assigned to specialized teams to enable the professional execution and recreation of a residential Hindu temple. This they certainly did achieve, for as one enters the courtyard of the Palace, the initial feeling is one of magnificence and amazement. The sculptures, reliefs, murals, gilded ornamentation and mythical stone figures, which were once in crisp conditions of glistening reflections, must have set off the most intriguing discussions between the privileged guests.

The open courtyard surrounding the palace is landscaped with several pathways, while the main and largest pathway, wide enough to accommodate several vehicles, leads to the grand staircase of the palace. On either side of the main pathway are statues of snakes, elephants, Buddhas and Krishnas that are frozen in time with skillfully-created expressions. Today, some of the sculptures remain in good condition, the majority however are fragments of the statues, but are more than enough to invoke the most vivid of legends. Unfortunately, the grand size of the palace and open yards exist today as deserted rubble and guarded grounds that were once filled with lush greenery and foliage, creating an exotic contrast to the mythical stone sculptures.

The palace building itself has two main floors, with other underground divisions. The exterior of the building is ordained with chiseled stone, relief architecture, with the focal point being a Hindu style dome.

As the palace was located in one of the most prestigious locations, so were its neighbors, who included kings and pashas of the time. The guests of the Palace that Empain hosted were of course of equal stature, among whom were most notably King Albert and Queen Elizabeth of the Belgians.

The Palace itself accommodated the Baron's entire family, ending with his grandchildren who sold the Palace to Saudi buyers. The splendor and excessiveness of the Palace was enjoyed by both the Baron and his son in full effect. Each of whom embodied a real-life Great Gatsby in his own right, hosting elite balls, lavish parties of luxurious atmospheres, filling the halls of the palace with music, dance, and a fine collection of the country's social elite. The Baron's grandchildren however weren't so keen on the lifestyle or architectural tendencies of their parents, and thus handed over their mythical home to their buyers of choice.

Today, the Palace is considered an antiquity, and neither its current owners nor the Egyptian government has restored or opened the palace for visitors. It remains as a silent architectural masterpiece on one of the most used motor-highways in Egypt, existing in the distant sandy rubble of what survived of its treasures. The Baron Palace continues to invoke new and old legends, stories, fairytales, and mythical imaginations that spread along as rumors, echoing the morbid silence of its walls.

Nubian Museum

The International Museum of Nubia, The Nubian Museum is located in Aswan on an area of 50,000 square meters, 7000 of which are excluded to building, while the rest designed to be the yard of the museum. The building has three floors for displaying and housing, in addition to a library and information center. The largest part of the museum is occupied by the monumental pieces, reflecting phases of the development of the Nubian culture and civilization.

Three thousands pieces of antiquities, representing various ages; Geological, Pharaonic, Roman, Coptic and Islamic, were registered. The open-door exhibition includes 90 rare monumental pieces, while the internal halls contain 50 invaluable pieces dating back to the pre-history times, 503 pieces belong to Pharaonic time, 52 of Coptic era, 103 of Islamic age, 140 of Nubian time, in addition to 360 pieces having the tang of Aswan.

The museum was completed for an estimated construction cost of LE 75 million (approximately $22 million at the time), and was inaugurated on November 23, 1997.

The Museum built on steep cliff land, which enables it to create a full scale design for the Nile river from its origins in Ethiopia and Sudan to Egypt, and surrounded by Natural Botanical Garden which contains the most exclusive and famous Green life in Egypt.

Friday 14 January 2011

Egypt Air Express Launches New Flight to Port Ghalib

Egypt Air Express

New Destination from Alexandria to Marsa Alam International Airport.
The M.A. Kharafi Group announced today that EgyptAir launched a new scheduled flight service from Alexandria to Marsa Alam International Airport, a key element in opening the area to wider domestic tourism. In addition, several new direct international routes will commence to Port Ghalib from Amman, Kuwait, and Jeddah. New flight routes will provide easier access to Port Ghalib, the perfect summer destination catered to individuals and families with activities such as safari dives, horseback riding, water sports, an arcade centre for kids and world renowned Six Senses Spas for adults.
Vice President, Ibrahim Saleh noted that "EgyptAir is the first airlines to commence regular operation of domestic flight services to Marsa Alam from Alexandria, thereby further opening this maginificently diverse area to access by global tourism. EgyptAir's scheduled flight service to Marsa Alam is a key element in opening the area to wider access by international tourists and source markets, as well as providing easy and appealing access to the area by the domestic tourism market." Egypt’s tourism market, especially around the Red Sea Riviera, has enjoyed substantial growth over the past few years as increasing numbers of holidaymakers are attracted to the warm, comfortable climate, the vast array of activities and historic sites and the favourable exchange rate offered by the Egyptian Pound.
Marsa Alam International Airport serves Egypt’s South Red Sea area including Port Ghalib which is just a few kilometres away from the airport. Comprising nine villages, a large conference centre, 160 retail and commercial outlets, 8200 apartments and villas, the international marina, four already operating hotels including The Palace by Intercontinental, The Oasis and The Sands by Crown Plaza and Marina Lodge, along with a substantial residential offering built, Port Ghalib is ready for occupation. In addition, a four lane ten-pin bowling alley, horse academy, children’s centre and all the water sports associated with such an international destination are all up and running. Once complete, the resort will include 19 additional hotels, a yacht club, an 18-hole golf course and further entertainment facilities and services.
Backed by mountains, deserts and oasis containing Bedouin encampments, natural fauna and flora, and rare wildlife, Port Ghalib is located in the town of Marsa Alam in south-eastern Egypt where the Arabian Desert meets the Red Sea. Formerly a quiet fishing village, the area is now an exciting tourist destination, attracting visitors with its combination of diverse cultural, historical and natural influences.
With three of the top ten dive sites in the world within easy reach from Port Ghalib – the Brothers Islands, Daedalus Reef, and Rocky Island – and some of best dolphin observing waters on earth, Port Ghalib is becoming the diving capital of the south Red Sea. Adding to this the proximity of Egypt's Nile Valley pharaonic monuments - only two hours away - and you have a wonderful unique area for tourism and tourism development.

Fly directly from Marsa Alam to Luxor & Abu Simbel

Egypt Air started, weekly direct flights from Marsa Alam to Luxor and back every Monday and from Marsa Alam to Abu Simbel and back every Friday.
With these flights, it is now possible for visitors of Marsa Alam to enjoy the archeological sites in Luxor and Abu Simbel.
In addition, the flight of Abu Simbel / Marsa Alam is an excellent opportunity for the cruises of Aswan and Abu Simbel that disembark on Fridays to fly to Marsa Alam and enjoy some relaxation. The Luxor / Marsa Alam flight will be ideal for the Luxor cruises that disembark on Mondays to fly to Marsa Alam.
Flights Operation Marsa Alam / Luxor / Marsa Alam every Monday RMF LXR MS 370 0855 0945 LXR RMF MS 369 2025 2115 Marsa Alam / Abu Simbel / Marsa Alam every Friday RMF ABU MS 421 1055 1215 ABU RMF MS 422 1445 1605

EGYPTAIR Express launches first flight to Al Arish

In line with the policy of the Ministry of Civil Aviation, headed by Air Marshall Ahmed Shafiq, to develop the Sinai Peninsula community and encourage more tourism in the area, the first flight of EGYPTAIR Express plane has arrived to the area of Al Arish arriving from Cairo.

The domestic route operates through a financing partnership between the North of Sinai governorate and Sama Al Arish Group of Companies. These efforts are also supported by EGYPTAIR Holding Company’s strategic plans in cooperation with the private sector and the investors to develop this sector.

The direct flight (scheduled once a week at the moment) between Cairo and Al Arish, will boost flights to North Sinai which is considered to be one of the country’s most attractive touristic areas.

Engineer Hussein Massoud, Chairman and CEO of EGYPTAIR Holding Company said that EGYPTAIR endeavors to cooperate with the private sectors in promoting domestic travel and link the internal flights to the international network and Star Alliance program.

Part of the land next to the airport, will be allocated to establish new premises for the Academy, for Aviation studies in Al Arish.

Beshtak Palace

The Palace of Amir Bashtak was built by Amir Bashtak al-Nasiri, has unusual windows screened with mashrabiya. But the second floor chamber, with its pointed arches, stained-glass windows and gilt and painted wood paneling distinguish it as one of the most beautiful private chambers of the period.

It is notable because of its museum which documents the history of the city of Cairo, and its beautiful Qaa (chamber). On the outside, this palace built by Emir Beshtak in 1334 AD, has unusual windows screened with mashrabiya. one of al-Nasir Muhammad's close khassakiya amirs and his son-in-law, in 1334-39 on the site of the Fatimid Eastern Palace (al-Qasr al-Sharqi). But the second floor chamber, with its pointed arches, stained-glass windows and gilt and painted wood paneling distinguish it as one of the most beautiful private chambers of the period.It remains nearly complete in its original form, with two stories, qa'a, a small courtyard, and integrated stables which have a special gate opening onto a side street. The long facade was endowed with many windows opening onto the busiest street in medieval Cairo.

New Facilities at the Egyptian Museum in Cairo

Egyptian Museum in Cairo

A new Development Project of the Egyptian Museum.

The project’s aim is to provide more services and facilities to the museum’s patrons, which will include adding a new visitor’s route and extending the hours of operation until 10:00 pm.
The museum is now equipped with a brand new visitor’s center that includes a beautiful bookstore, cafeteria, restaurant and a children’s museum. This center is located on the western side of the Egyptian Museum and will be accessible through the museum’s new tour route.
The opening of an open-air permanent exhibition on the eastern side of the museum will be also announced . The collection includes a number of sarcophagi, statuary and architectural elements from ancient Egyptian tombs and temples.

At the completion of this Development Project, visitors will enter the museum from the main entrance gate located at Tahrir Square and exit from the side gate next to Mariette’s mausoleum. This phase of the Egyptian Museum Development Project is one part of a multi-phase plan to transform the museum into a beautiful space for the display of ancient Egyptian art.
The project will be complete after transferring some of the existing Egyptian Museum collection to the planned Grand Egyptian Museum overlooking Giza plateau.
The basement of the museum has also gotten a face-lift as part of the project , it has been transformed into a research center for scientific testing, equipped with a DNA lab, documentation center and administrative sector.

Temples of Egypt

Writing an introduction to ancient Egypt temples is considerably more difficult then examining any specific structure, for a number of different reasons. First of all, the term "temple" is misleading, and secondly, the term covers a huge variety of different structures that evolved over such a vast period of time that many people have a difficulty comprehending just how long a time this period spans.

For example, think of the Roman Coliseum (in Rome). It is almost 2,000 years old, and most of us would think of it as very ancient. Yet, when the Romans first came to Egypt, they were awe struck by Egyptian temples, some of which at that time were already more ancient to the Romans, then the Roman Coliseum is to us. So we must consider the effect that these temples had on the ancient Egyptians. Imagine the feelings of old tradition and holiness felt by a young priest when he first enters St. Peter's Cathedral in Rome. How must a young Egyptian priest felt as he strolled the courts of the much more temple of Heliopolis, which was much more ancient to him then St. Peter's would be to a young priest of today.

Webster's New World Dictionary defines temple as "1. a building for the worship of god or gods, and 2. A large building for some special purpose". For the second definition, they provide the example, "a temple of art". Neither of these definitions fit the ancient Egyptian temple very well, and yet, almost every religious structure in Egypt outside of the various types of tombs are almost always referred to as temples.

Certainly some of these "temple" structures do embrace both of Webster's definitions. In fact, it is difficult to imagine most any large, ancient building not falling under the second definition, including palaces and governmental buildings. However, our modern readers are more likely to think in terms of the first definition, that of a temple being a place of worship. However, this definition is simply too limited to fit even the structures that many modern Egyptologists better define as a "god's mansion". Even these temples sometimes had many other functions, acting sometimes as fortresses, administrative centers and even concrete expression of propaganda or royal retreats. However, it is difficult to define some other religious structures that are called temples as houses of worship or "god's mansions". They may have other political or all together different purposes.

It was the ancient Egyptian temple that received endowments. It was the mortuary temple and the cult of the dead king that funded the entire pyramid complex of the early kings, for example. Temples owned land, livestock and received donations, sometimes including the spoils of war, in order to support often large populations of priests, workers, and sometimes even an entire support town.

The Temple of Karnak today remains the worlds largest religious structure, but what is perhaps even more interesting is that it might not have been, or indeed was probably not Egypt's largest temple. Certainly the Temple of Ptah in Memphis, though for the most part completely gone today, may have been larger. It was older, and located in what was often the capital of Egypt, and more often the administrative center of the ancient country. Other temples in the Nile Delta might have been just as large as Karnak, if not larger.

Sites such as Karnak, Dendera and Kom Ombo would most likely fall under the category of "god's mansion". They were more then religious "temples" however. While the god may certainly have been worshiped in these temples, it was also his symbolic home, if not considered his physical residence, and the functions of the temple were as much to serve his or her symbolic physical needs as they were for the god's worship. There was probably little or no "preaching" as such, or carrying the message of the god to the people by priests associated with these "temples". Rather the efforts were directed inward, towards the care of the gods.

Also, though we often make a very specific distention between mortuary temples of kings, for example, and temples such as Karnak, they were actually very similar. Kings were considered gods, and after their death, they required a "mansion" and the same attention as other gods. Both regular and mortuary temples served to keep the name of the king or god alive.

The real distinction, religiously, seems to be in regards to structures that might not so easily be defined as "god's mansions". Nefertari's temple at Abu Simbel was certainly dedicated to the goddess Hathor, it would seem. But this also seems to be a situation where a "god's mansion" was built as much for political as for religious purposes. These great monuments at Abu Simbel, consisting of her temple, and the larger temple of her husband, Ramesses II, were not just temples. They were also reminders of Egypt's greatness to her southern neighbors. Other structures hardly fit within the "god's mansion" category at all. For example, Sed-festival Temples that celebrated the king's jubilees seem to have had a completely different purpose than "god's mansions", and ka Temples provided a residence not to the dead king, but for his soul.

Nevertheless, for convenience, we will refer to most religious structures other then tombs as temples in the remainder of this reference.

Dynastic era temples may be found throughout Egypt, though the ones that have survived time are mostly in the south. They were built for many different forms of worship, as well as other purposes. Some were major temples dedicated to major deities, while others were dedicated to a number of different deities. Some were mortuary temples, where the temple was dedicated to the deified dead king, and where he was worshiped and cared for by his cult. There were also valley temples, which were often no more then monumental gateways connected to the king's mortuary chapel by a causeway. There were all manner of specialized temples, such as Sed-festival temples, ka temples, sun temples, coronation temples and others.

Many of Egypt's temples became complex systems of buildings, added to by generations of pharaohs over sometimes thousands of years. Such temples include those of Luxor and Karnak, but others long destroyed, such as the Temple of Ptah. In fact, there are any number of northern temples, though long gone, that would have rivaled the southern temples that we most often visit today.

Most Temples had some sort of organized structure that evolved into a traditional, if somewhat varied floor plan. For example, the mortuary temple of 5th Dynasty kings invariably had an outer section and an inner sanctuary. The outer section would consist of an entrance corridor, followed by an open columned courtyard. Often, the pillars were inscribed with the king's name and title, and the northern columns would have scenes oriented to northern Egypt's symbolic gods, with a similar arrangement on the southern columns. Various additional minor chambers might also exist within the outer section, including, for example, an entrance vestibule or a guard station. Between the outer temple and the inner section there was usually a transverse corridor, and in the center of the long, west wall a doorway lead to the inner sanctuary of which the front section consists of a chapel with five niches for statues. Behind the chapel would be an offering hall, notable for a false door on the west wall that faces the pyramid, and before the door, an offering altar. Within the inner sanctuary there might also be additional rooms, such as vestibules and antechambers. Associated with both the outer and inner sections of the temple would be storage and other annexes to one side or both of the main temple components.

Non-mortuary temples often also had courtyards, chapels, offering halls, vestibules, antechambers, just like the mortuary temples. They tend to vary considerably in their style and elements, though temples built for specific gods tended to be more uniform (though not always). One of the major differences between mortuary temples and others was that the non-mortuary temples were very often added to, built upon and even usurped by various kings. Though in rare cases a mortuary temples, such as that of Djoser at Saqqara, became places of high holiness, and were built upon by later kings, most mortuary temples were never added to or usurped. They therefore most often were much more simple than major non-mortuary temples.

Latter temples took the form of fortresses, with massive entrance pylons and enclosure walls, huge courtyards, columned or pillared halls and inner sanctuaries.

Alexandria National Museum

The Alexandria National Museum (ANM) in Egypt was inaugurated the 31st of December, 2003 by Hosni Mubarak and it's located in a restored Italian style palace in Tariq Al-Horreya Street (former Rue Fouad), near the center of the city.. It contains about 1.800 artifacts that narrate the story of Alexandria and Egypt. Most of these pieces came from another Egyptian museums.

1st Floor: Pharaonic time. Mummies are shown in a special underground chamber (basement)
2nd Floor: Graeco-Roman time. Including archeological underwater excavations in Alexandria.
3rd Floor: Coptic, Islamic and Modern eras.

The museum is housed in the old Al-Saad Bassili Pasha Palace, who was one of the wealthiest wood merchants in Alexandria. Construction on the site was first undertaken in 1926.

The Pyramids of Egypt

There are no more famous ancient sites within Egypt, or for that matter elsewhere in the world, than the Great Pyramids at Giza. They are, without question, the icon most associated with the Egypt. They have been both the main destination for tourists, and a source of imaginative thought to the world for over three thousand years.
However, there are actually over 100 pyramids in Egypt, many of which are relatively unknown to anyone who is not an ancient Egypt enthusiast. All but a very few are grouped around and near the City of Cairo, just south of the Nile Delta. Otherwise, only one royal pyramid is known in southern Egypt (at Abydos), that being the one built by Ahmose, founder of the 18th Dynasty and Egypt's New Kingdom.It may have also been the last royal pyramid built in Egypt.
Hence, major pyramids were not built throughout Egypt's ancient history. The Pyramid Age began with a burst of building, starting with the 3rd Dynasty reign of Djoser. Some of the early kings, most specifically Snefru, built more than one pyramid. Almost all of the kings added to their number through the end of the Middle Kingdom, with the possible exception of the First Intermediate Period between the Old and Middle Kingdoms. After the first Pharaoh of Egypt's New Kingdom, Ahmose, royal pyramid building by Egyptians ceased entirely. Somewhat abruptly the kings of the New Kingdom chose, rather than making their tombs completely obvious, to hide them in the hills of the West Bank of Thebes (modern Luxor).
However, smaller pyramids were constructed, for example in the Deir el-Medina necropolis, by private individuals. The Late Period Nubians who ruled Egypt also built relatively small pyramids with much steeper sides, though these were in fact constructed in Nubia itself. This tradition was carried on in Nubia after these southern rulers lost control of Egypt, and eventually, more pyramids were actually built in Nubia than Egypt, though on a much smaller scale.
Other pyramids in the world certainly exist, but their purpose, for the most part, was different than those of ancient Egypt. The most famous outside Egypt are probably those located in Mexico and to the south of Mexico, but these appear to have been built more as temples. In Egypt, all but a select few of the pyramids were built as tombs, sometimes to hold the physical body of a pharaoh (as well as other individuals), or to hold the soul of the deceased (as in the case of the small cult pyramids built next to the larger ones). Otherwise, the purpose of only a few small, regional stepped pyramids remains elusive.
While pyramids were, for the most part, tombs for the Pharaohs of Egypt, one must nevertheless question the reason that Egyptian rulers chose this particular shape, and for that matter, why they built them so large. Today, we believe that they chose the shape in order to mimic the Benben, a pyramid shaped stone found in the earliest of temples, which itself is thought to symbolize the primeval mound from which the Egyptians believed life emerged. This also connected the pyramid to Re, the Sun God, as it was he, according to some of the ancient Egypt mythology, who rose from the primeval mound to create life.
As far the great size of many of the pyramids in Egypt, we can really only surmise that the Pharaohs were making a statement about their own power and perhaps, about the glory and strength of their country. However, it should also be remembered that many of the latter pyramids were not nearly as large as the Great Pyramids at Giza (and elsewhere).
Pyramids evolved. The first of them was not a perfectly formed pyramid. In fact, the first Pyramid we believe that was built in Egypt, that of Djoser, was not a true pyramid at all with smooth sides and a point at the top. Rather, its sides were stepped, and the top of the pyramid truncated with a flat surface (as best we know). As the Egyptian pyramids evolved, there were failures as well glorious failures until finally, they got it right with what was probably the first smooth sided true pyramid built at Meidum. In fact, pyramids continued to evolve throughout their history, perhaps not always in outward appearances, but in the way that they were built and in the theology surrounding their construction. For example, towards the latter part of Egypt's Pyramid Age, Osirian beliefs seem to have had more and more impact on the arrangement and layout of the subterranean chambers.
However, soon after the first pyramids were built, their form became somewhat standardized. Royal pyramid complexes included the main pyramid, a courtyard surrounding the main pyramid, a much smaller cult pyramid for the king's soul, a mortuary temple situated next to the main pyramid, an enclosure wall and a causeway that led down to a valley temple. Some pyramid complexes included subsidiary, smaller pyramids for family members, and most were surrounded by some sort of tombs for family members.
Our thinking on pyramids has evolved considerably over the years. Many of us who are a bit older were taught that the pyramids were built using Jewish slave labor, which is a fabrication of immense proportions. Most of the pyramids were built long before the Jews made their appearance historically and currently, many if not most scholars believe they were not built using slave labor at all (or perhaps a nominal number of slaves).
Otherwise, we can also dismiss offhand alternative theories related to aliens or some lost culture being responsible for pyramid building. There is just far too much evidence, including tools, drawings, evolutionary changes, and even worker villages that rule these farfetched ideas obsolete.
However, some mysteries remain, even in some of the best well known Pyramids. The most famous of them all, the Great Pyramid of Khufu, continues, year after year, to give up a few more secrets, and there doubtless remains much to learn from these Egyptian treasures. There may even be one or more pyramids yet to be discovered.

Thursday 13 January 2011

The Hibis Temple in Kharga Oasis

The Hibis temple is oriented along an east-west axis and consists of a pylon, open court, pillared hall and sanctuary. The temple would have originally also had a lake and boat quay along its eastern side. The lake would have allowed access to the temple for festival purposes. Today the first thing a visitor encounters at the temple is the outer or Roman gate that contains several Greek inscriptions. The most important one is the decree that was by the Roman governor, Tiberius Julius Alexander during the second year of the reign of Emperor Galba (69AD). The decree outlines the raising of taxes, the state of Kharga’s economy and the oasis’ system of administration. It was this gate that was moved from the old location to the new location.

After the outer gate is a sphinx avenue, then a Ptolemaic gate, then a Persian gate that dates to the reign of King Darius I. The Persian gate is followed by the open court, which dates to the Thirtieth Dynasty during the reigns of Nectanbeo I and II. The court bears inscriptions and offerings scenes dedicated to different gods and goddesses. After the open court is the pillared hall that contains 12 pillars from the reign of Achoris (Twenty-ninth Dynasty). At the back of the pillared hall is a smaller rectangular room that leads to the sanctuary. Inside the sanctuary is a small open court supported by four pillars. Surrounding this court is a series of small rooms, which would have been used for storage of the implements used in the daily temple ritual. The sanctuary of the temple is the oldest and most important part and is decorated with 569 different gods and goddesses. On the northern wall of the sanctuary are the gods and goddesses of Lower Egypt, while the deities of Upper Egypt are depicted on the southern wall. The western wall has a group of deities from Thebes and Heliopolis, including Osiris, Isis and Horus, as well as the Theban triad of Amun, Mut and Khonsu to which the temple is dedicated. A small chapel on the roof is also dedicated to the god Osiris and to the southwest side of the temple is a mammisi, or birth house.

Beginning in 1909, the Metropolitan Museum of Art was responsible for excavations at the Hibis temple. Their work resulted in three important volumes, which included translations of the inscriptions on the walls. After the Metropolitan Museum left the site, an Egyptian team continued to uncover and record buried parts of the temple until 1986.

From the first time I visited the site I could see that if the temple was moved it would be destroyed. The reliefs and the stone blocks were badly restored in the past and were very fragile. I sat down with the architects and engineers who wanted to move the temple and they explained to me two main reasons why they wanted to move the temple:

1.In order to keep the temple in its current location, the area would need extensive work to be consolidated.

2.They were afraid that the surrounding agricultural area would continue to encroach on the temple and it would be ruined.

However, several other engineers believed that the temple could be restored in its current location and that to prevent far more extensive damage it should definitely not be moved. Unfortunately, the first gate of the temple had already been cut and moved! We immediately wrote to the Minister of Culture and stopped the work under his decree. I still think that this is one of the best decisions I ever made as Secretary General. Today the temple is beautifully restored and remains in its original location. To avoid problems from the surrounding agricultural fields, the SCA bought all the land around the temple to provide a safe zoning area. We are in the process of lighting the temple now and when it is finished I think Hibis Temple will be one of the greatest restoration projects completed by the SCA.

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