Tuesday, 18 January 2011

Abdeen Palace

Abdeen Palace
Construction started in 1863 and continued for 10 years but the palace was officially inaugurated in 1874. Erected on an area of 24 feddans, the palace was constructed by the French architect Rousseau along with a large number of Egyptian, Italian, French and Turkish decorators. However, the palace’s garden was added in 1921 by Sultan Fuad I on an area of 20 feddans. The cost of building the palace reached 700,000 Egyptian pounds in addition to 2 million pounds for its furnishing. More money was also spent on the palace’s alteration, preservation and maintenance by consecutive rulers. The palace includes 500 rooms.







The palace was originally built on land belonging to an Ottoman Turkish nobleman named Abdeen Bey. The palace became the centre of the royal court, rather than the Citadel of Cairo (which had been the centre of Egyptian government since the Middle Ages) during the reign of King Fuad.



The palace, located in the Old Cairo district of Abdeen is today a museum. The upper floors, (the former living quarters of the royal family), are reserved for visiting foreign dignitaries. The lower floors contain the Silver Museum, the Arms Museum, the Royal Family Museum, and the Presidential Gifts Museum. A new museum, the Historical Documents Museum was opened in January 2005. Among other documents, it contains the Imperial Ottoman firman, or decree, which established the rule of Muhammad Ali and his family, and a certificate for the Order of the Iron Crown, from the short-lived South American Kingdom of Araucania and Patagonia. Abdeen Palace is the official residence and principal workplace of the President of Egypt.

Abdeen Palace is considered one of the most sumptuous palaces in the world in terms of its adornments, paintings, and large number of clocks scattered in the parlors and wings, most of which are decorated with pure gold. Built by Khedive Ismail, to become the official government headquarters instead of the Citadel of Cairo, this palace was used as well for official events and ceremonies. Abdin Palace was so called as it was built on the debris of a house owned by the Turkish Prince Abdin Bey.

Monday, 17 January 2011

The Kings (Pharaohs) of Ancient Egypt

The title of "Pharaoh" actually comes to us from the Greek language and its use in the Old Testament. It originates in the Egyptian Per-aa, meaning "Great House", a designation of the palace, which first came to be used as a label for the king around 1450 BC, though it only became common usage some centuries later. For most of the time, the usual word for the king of ancient Egypt was nesu, but a whole range of titles were applicable to any full statement of a king's names and titulary.

According to Egyptian legend, the first kings of Egypt were later some of Egypt's most famous gods. We really do not know whether some of these individuals actually existed in human form or what regions of Egypt they may have ruled over. Only at the end of the Predynastic period, prior to the unification of Egypt, can we recognize specific kings who most likely ruled over either northern or southern Egypt. According to many sources, the first real king of Egypt, therefore ruling over the unified land, was Menes, who would have ruled Egypt around 3100 BC, but we have little if any archaeological basis for this name. Most scholars today believe that he may have been a king named Narmer, or more likely still, Aha, two figures that are better attested in the archaeological record.


However, Menes might have also been a legendary composition of several rulers. After these first rulers of a unified Egypt, the Egyptian monarchy lasted in a recognizable form for over three thousand years, basically ending with Cleopatra, though even Roman emperors attempted to style themselves as Egyptian pharaohs. We know of 170 or more specific pharaohs during this period of time. Although many changes occurred during that time, almost all of the fundamentals remained the same.

Kings were not only males, and unlike in modern monarchies, the ruler of ancient Egypt, whether male or female, was always called a king. In fact, Egypt had some very noteworthy female rulers such as Hatshepsut and others.

In ancient (Pharaonic) Egypt, the pinnacle of Egyptian society, and indeed of religion, was the king. Below him were the layers of the educated bureaucracy which consisted of nobles, priests and civil servants, and under them were the great mass of common people, usually living very poor, agricultural based lives. Except during the earliest of themes, when the highest official was apparently a Chancellor, for most of Egyptian history, the man or men just under the king were Viziers, (tjaty), a position that was roughly similar to a modern Prime Minister.


In many if not most accounts, the king is viewed as an incarnation of Horus, a falcon god, and the posthumous son of Osiris, who himself was a divine king slain by his brother, Seth. Horus fought his uncle for the return of the throne, and part of the accession process of the king was the proper burial of his predecessor, as Horus carrying out the last rites of Osiris. In fact, there are a number of cases where such an act may have been the legal basis for a non-royal figure's ascent of the throne. However, more usual was the succession of the eldest son, whose status as heir was frequently, if not always, proclaimed during his father's lifetime. Furthermore, there were a number of instances where this was taken a step further by the heir's coronation as a co-regent prior to the father's death. This has actually led to much confusion among scholars, because in some cases, the young heir began to count his regnal years only after the death of his father, while in other instances, he started to do so from the moment of his coronation. The ancient Egyptians did not use era dating as we do today (BC or AD), but rather relied on regnal dating of the king's rule, and therefore potential difficulties for modern, if not ancient, historians can easily be imagined.


The king himself (or herself) was the figure upon whom the whole administrative structure of the state rested. These god-kings usually commanded tremendous resources. The Pharaoh was the head of the civil administration, the supreme warlord and the chief priest of every god in the kingdom. All offerings were made in his name and the entire priesthood acted in his stead. In fact, he was himself a divine being, considered the physical offspring of a god. The myth of the ruler's divine birth centered on the god assuming the form of (or becoming incarnate in) the king's father, who then impregnated his wife, who accordingly bore the divine ruler.

Of course, the king was also subject to some rather grave responsibilities. Through his dealings with the gods, he was tasked with keeping the order, or ma'at of the land, and therefore keeping out chaos, often in the form of the enemies of Egypt from foreign lands. But he was also responsible for making sufficient offerings and otherwise satisfying the gods so that they would bless Egypt with a bountiful Nile flood, and therefore a good enough harvest to feed his people. When he failed at these tasks, he could bear not only blame, but a weakening of the state and thus his power. In drastic cases, such as at the end of the Old Kingdom, this could actually lead to a complete collapse of the Egyptian state.



Even today, many questions remain about the kings of ancient Egypt. We have a fairly good idea of their order through time, though often scholars disagree about specific dates related to our current form of the calendar. Our evidence of their order comes mostly from various "kings' lists, that almost exclusively were made during the New Kingdom. Another source is the Egyptian history written by Manetho, an Egyptian priest, but over the years, there have been modifications to both the kings' lists and Manetho's history made through archaeological discovery. Nevertheless, there are periods of Egyptian history, particularly those known as intermediate periods, where very little information exits on who ruled (usually only a part of) Egypt.


Basically, Manetho divided up ancient Egyptian history into thirty dynasties, though this division is a bit difficult, and modern scholarship has proven it to be not completely (and sometimes not at all) accurate. Most of the time, a dynasty consisted of a related family of rulers, though sometimes dynasties seem to have been broken up due to the establishment of a new capital. In a number of instances, modern Egyptologists believe that he may have been incorrect about the end of a family line.

Even today, the power that an ancient Egyptian pharaoh commanded in ancient Egypt and the resources under his control can seem staggering. One need only think in terms of the Great Pyramids, the wealth of gold and the grand temples to gain some understanding of their power. They commanded resources that many modern day states would be hard pressed to emulate, and they did so at a time when much of the remainder of the ancient world were struggling for a foothold in history.

Saturday, 15 January 2011

The Baron Palace

The Baron Palace
A legendary palace of mysterious reflections and architectural elements that stir the most dormant of imaginations, The Baron Palace stands today in the modern district of Cairo, Heliopolis; silently echoing the magical period of the Baron. The Palace is a true enchantment which continues to be a rare reminder of a significant era of grandiose proportions, leisurely celebrations, exotic decorations and grand balls of royal presence.

Built in the early 20th century (between 1907 and 1910), the palace occupied a large expanse of land in the midst of the new city of leisure and luxury, Heliopolis. A district that was on the brink of creation, an ambitious project of converting the desert into a region with wide open areas of residential masterpieces, spacious roads, facilities and amenities to suit the royal elite.



The owner of the Baron Palace was the Belgian-born industrialist, Baron-General Edouard Louis Joseph Empain (1852-1929), who was known for his extravagant nature and passionate character. Sources state that while in Egypt on business, he had an affair with the Egyptian desert, sparking his desire for Heliopolis, and later fell in love with a beautiful Cairene socialite, Yvette Boghdadli. Together, they initiated the new city of Heliopolis, building every possible facility that could be needed by the elite, including a racetrack, a golf course and the like, in addition to constructing fine residential housing to suit the preferences of a distinct social class, whilst not forgetting to include more mediocre public housing.

Édouard Empain
The city was built in a unified building style, except for the palace and home of Empain, for which he chose to build in a Hindu style of prestigious aesthetics. Alexander Marcel, a French architect was assigned this task and challenge, and attempted to create an authentic realization of the vision that Empain had in mind. To this end, Marcel employed skilled Indonesian artists and sculptors, who labored in the creation of a masterpiece of architectural excellence with pure Hindu influences.

The construction of the exterior and interior of the palace was assigned to specialized teams to enable the professional execution and recreation of a residential Hindu temple. This they certainly did achieve, for as one enters the courtyard of the Palace, the initial feeling is one of magnificence and amazement. The sculptures, reliefs, murals, gilded ornamentation and mythical stone figures, which were once in crisp conditions of glistening reflections, must have set off the most intriguing discussions between the privileged guests.




The open courtyard surrounding the palace is landscaped with several pathways, while the main and largest pathway, wide enough to accommodate several vehicles, leads to the grand staircase of the palace. On either side of the main pathway are statues of snakes, elephants, Buddhas and Krishnas that are frozen in time with skillfully-created expressions. Today, some of the sculptures remain in good condition, the majority however are fragments of the statues, but are more than enough to invoke the most vivid of legends. Unfortunately, the grand size of the palace and open yards exist today as deserted rubble and guarded grounds that were once filled with lush greenery and foliage, creating an exotic contrast to the mythical stone sculptures.

The palace building itself has two main floors, with other underground divisions. The exterior of the building is ordained with chiseled stone, relief architecture, with the focal point being a Hindu style dome.

As the palace was located in one of the most prestigious locations, so were its neighbors, who included kings and pashas of the time. The guests of the Palace that Empain hosted were of course of equal stature, among whom were most notably King Albert and Queen Elizabeth of the Belgians.

The Palace itself accommodated the Baron's entire family, ending with his grandchildren who sold the Palace to Saudi buyers. The splendor and excessiveness of the Palace was enjoyed by both the Baron and his son in full effect. Each of whom embodied a real-life Great Gatsby in his own right, hosting elite balls, lavish parties of luxurious atmospheres, filling the halls of the palace with music, dance, and a fine collection of the country's social elite. The Baron's grandchildren however weren't so keen on the lifestyle or architectural tendencies of their parents, and thus handed over their mythical home to their buyers of choice.

Today, the Palace is considered an antiquity, and neither its current owners nor the Egyptian government has restored or opened the palace for visitors. It remains as a silent architectural masterpiece on one of the most used motor-highways in Egypt, existing in the distant sandy rubble of what survived of its treasures. The Baron Palace continues to invoke new and old legends, stories, fairytales, and mythical imaginations that spread along as rumors, echoing the morbid silence of its walls.